This installation presents a series of polished copper and zinc printmaking plates arranged as reflective surfaces—mirrored matrices where the viewer becomes both subject and witness. On each plate, the image of a person seen from behind is subtly etched in contrast, while the mirrored metal reflects the actual presence of anyone standing before it.

The visual impact is heightened by the plates being inked, enriching the etched figures with color contrast and enhancing their visibility. A printproof is also incorporated into the composition, linking the realm of tactile printed image with the immersive reflection. This layered interplay of real reflection, etched imagery, and printed proof creates a poetic dialogue on identity, perspective, and the role of the observer.

The work thus blurs boundaries between printmaking and interactive installation art, inviting the audience to recognize themselves within the piece, while also encountering an enigmatic figure turned away—an interplay of intimacy and distance, presence and memory.